即便它的主題並沒有非常吸引人的優美線條，但它相對質樸的長線條卻有貝多芬

即便它的主題並沒有非常吸引人的優美線條，但它相對質樸的長線條卻有貝多芬精心安排保持的十六分音符動態支撐，無論旋律聲線是什麼樣的節奏型態，背後都有各種十六分音符節奏音型猶如一波又一波的漣漪襯托著；與作品2 相同，《悲愴》慢板樂章也有一段突轉到同名小調、音樂色彩大變的中間段落，先前將每小節均分為八等份的十六分音符在此變成三連音、將每小節均分為十二等分，不但如此，伴奏音型也變成重複和弦，於是雖然速度不變，但速率不但變快了，較快速的三連音重複和弦造成的壓迫感就足以令聽者覺得音樂走得更快了。

結果 (英文) 1:

Even if it's not very attractive theme and graceful lines, but it is relatively pristine long lines orchestrated Beethoven sixteenth note there remain dynamic support, both melodic line is what kind of rhythm patterns, behind each Silent various sixteenth note rhythm like waves ripples set off; 2 works the same as the "Pathetique" Adagio movement has for some minor conflict to namesake, music became pale color of middle of a paragraph, prior to each section were divided into eight equal parts in this sixteenth note triplets become, each section was divided into twelve equal portions, not only that, but also become the accompaniment figurations repeated chords, so although the speed is the same, but the rate of change not only faster, faster oppressive chords caused by repeated triplet is enough to make the listener feel that the music go faster.

結果 (英文) 2:

Even if its theme does not have a very attractive beautiful line, but its relatively simple long lines have Beethoven carefully arranged to maintain the dynamic support of sixteen notes, no matter what kind of rhythmic pattern sloambles, behind the various sixteen-point note rhythmic tones like waves and waves of ripples; Slow board music also has a sudden turn to the eponymous small tune, music color change of the middle paragraph, previously each section is divided into eight equal parts of the 16 thumps in this become a triple tone, each section is divided into twelve equal points, not only so, accompaniment tone also become repeat chords, so although the speed is unchanged, but the rate not only becomes fast, The more rapid triple-tone repeat chords create a sense of oppression enough to make the listener feel that the music is moving faster.

結果 (英文) 3:

Even though its theme does not have a very attractive beautiful line, its relatively simple long line is supported by Beethoven's carefully arranged and maintained dynamic sixteen minute notes. No matter what kind of rhythm pattern the melody sound line is, there are all kinds of sixteen minute note rhythm patterns behind it, just like waves of ripples; and works 2 In the same way, there is also a section in the Cantabile of Pathetique that suddenly changes to the middle section of the same minor with the same name and the great change of music color. In the past, the sixteen minute notes of each section were divided into eight equal parts, and here they became triplets, and each section was divided into twelve equal parts. Not only that, but also the accompaniment tone pattern became repeated chord, so although the speed remained unchanged, the speed not only increased, but also the faster triplets became heavy The pressure of the Polyphony is enough to make the listener feel that the music is moving faster.