20世紀50年代初，美國流行音樂市場呈現出三管齊下的現象。黑人欣賞的音

20世紀50年代初，美國流行音樂市場呈現出三管齊下的現象。黑人欣賞的音樂基本上是節奏和布魯斯。中產階級以上的白人聽小巷裏的歌曲，而中西部的農村觀眾喜歡與農村生活有關的鄉村音樂。然而，到了20世紀50年代中期（1954年至1956年），唱片市場出現了“市場交叉”和“封面版”兩種明顯的現象。看到這種有利可圖的市場交叉，一些主要唱片公司很快根據流行節奏和藍調歌曲製作了自己的版本，從而出現了大量的“封面版”。這時，三個分開的市場中間的圍牆突然倒塌，一種新的風格在這片廢墟中正式誕生了——“搖滾樂”。

結果 (英文) 1:

The early 1950s, American popular music market presents a three-pronged phenomenon. Black appreciate the music is basically rhythm and blues. More than middle-class white man listening to the songs alley, while the central and western rural audience likes country music and rural life related. However, by the mid 1950s (1954-1956), the record market a "market cross" and "cover version of" two distinct phenomena. Seeing this lucrative market cross, some of the major record companies soon produced their own versions based on the popular rhythm and blues song, which appeared in a large number of "cover version." At this time, three separate wall suddenly collapsed in the middle of the market, a new style in this piece of rubble officially born - "Rock."

結果 (英文) 2:

In the early 1950s, the American pop music market showed a three-pronged phenomenon. The music that blackpeople enjoy is basically rhythm and blues. White people above the middle class listen to songs in alleys, while rural audiences in the Midwest love country music about rural life. By the mid-1950s (1954-1956), however, there were two obvious phenomena in the record market, "market cross" and "cover version". Seeing this lucrative market crossover, some major record labels soon produced their own versions based on popular rhythms and blues songs, resulting in a large number of "cover editions". At this time, the wall in the middle of three separate markets suddenly collapsed, a new style in this ruins officially born - "rock music."

結果 (英文) 3:

In the early 1950s, the American pop music market presented a three pronged phenomenon. The music that black people enjoyed was basically rhythm and blues. White people above the middle class listened to the songs in the alleys, while rural audiences in the Midwest liked the country music related to rural life. However, by the mid-1950s (1954-1956), there was a "market" in the record market "Cross" and "cover version" are two obvious phenomena. Seeing this profitable market cross, some major record companies soon made their own versions according to the popular rhythm and blues songs, resulting in a large number of "cover versions". At this time, the wall in the middle of the three separate markets suddenly collapsed, and a new style was officially born in the ruins - "shaking" Roll music.